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This is the first track on any of my piano albums to include another instrument. It was a pleasure to arrange for the super talented violinist Michaela Nachtigall, aka “Otama-Mama.” I see it as the perfect strawberry on top of the rest of the work, a delightful added dessert. The track is particularly peaceful and inviting, and the addition of violin reflects that especially well.
The quality of this album came to a huge surprise to me upon playing the game for the first time. Each new track clearly draws from its original counterpart, while adding its own flair and shooting up the intensity by tenfold. How it does this, I'm not even sure. Each track screams challenge and perfectly fits and boosts the shrill determination felt by the player (or at least me) upon entering each level. default_nano
How does she do it yet AGAIN?? Each track feels so natural and really flows with the gameplay so well that you almost forget that it's there at all (other than the amazing music playing in your ears). I couldn't manage to get tired of a single track here, despite getting stuck on Farewell for over an hour.
And nothing. Nothing. beats the incredible rush of determination you feel at the beginning of 'Beyond The Heart' (although the other tracks are all brilliant in their own right). default_nano