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This track was easily the most intimidating to arrange, and for good reason. Essentially the “final battle” track of the game, it is menacing, huge, and imposing. The choir yells throughout serve as the main signposts and perhaps the most memorable recurring element, so I sought to emulate that with the accented, slid open chords as seen at the very beginning. I also wanted to somehow capture the “glitched” sound of the second half. Since I couldn’t make my piano “glitch,” exactly, you’ll hear beats simply dropped, ideas deliberately interrupted, and chords reharmonized uncomfortably, all in a way that removes all prior stability and propels the arrangement to an exhilarating conclusion.
supported by 371 fans who also own “Confronting Myself”
The quality of this album came to a huge surprise to me upon playing the game for the first time. Each new track clearly draws from its original counterpart, while adding its own flair and shooting up the intensity by tenfold. How it does this, I'm not even sure. Each track screams challenge and perfectly fits and boosts the shrill determination felt by the player (or at least me) upon entering each level. default_nano
supported by 351 fans who also own “Confronting Myself”
How does she do it yet AGAIN?? Each track feels so natural and really flows with the gameplay so well that you almost forget that it's there at all (other than the amazing music playing in your ears). I couldn't manage to get tired of a single track here, despite getting stuck on Farewell for over an hour.
And nothing. Nothing. beats the incredible rush of determination you feel at the beginning of 'Beyond The Heart' (although the other tracks are all brilliant in their own right). default_nano